Sunday, February 27, 2011

Check Prepaid Usaa Balance

and political persecution in the San Fernando IUNA.

Scandalous political persecution in the San Fernando Iuna
The session
Departmental Council, the governing body of our race, Friday 19/02, burst into our Academic Coordinator Rosa Inés. Dean Julio Flores and its Secretary General, Alberto Hilal, who were the authors of the request for reconsideration, alluded to "different approaches" to management because they had to "renew."
The reasons she said at the meeting were quite different. Our coordinator made an explicit complaint against Alberto Hilal by abuse and threats of dismissal if she refused to make a police report against students who served in an artistic action inalienable right to free expression. These students did a mural as part of Arts Day held at the headquarters Xul Solar on Friday December 3 last year with the authorization of the Dean and the Municipality. Hilal sent flowers and plug this mural in January with the closed site, its content questioning the current administration, silencing any dissenting voices, and contradicting his speech on human rights and free expression.
And Agnes has firmly denied such a charge, has suffered the consequences.


art and free speech does not stop with police batons
The order of withdrawal made by the Secretary Hilal overwhelms the University Statutes governing since 1918 the university reform: the University is autonomous and can not enter or intervene in her security forces.
We are convinced that the hooliganism, political and ideological persecution and not allow independent students to think differently, is incompatible with art and teaching.
We resolve to continue performing assemblies, opening the participation of each and every student in the college of building a critical and artistic excellence in teaching.
Therefore we demand the reinstatement of Rosa Inés his job more than ever before and build defend freedom of expression within faculty.

self-organized STUDENT ASSEMBLY - Iuna San Fernando.

How To Watch Movieson A Sony Tv




-FILM- a beautiful story of LOVE AND MUSIC.

... who knows what is Love and Music, will enjoy.

- HIGHLY RECOMMENDED -
__________________________________________

be good is the only way to be happy.
Being educated is the only way to be free. José Martí


__________________________________________ __________________________________________



Friday, February 25, 2011

How To Prepare Report For A New Business

CHICO & RITA OPEN BOAT



@ s Dear readers and visitors to my library: On a spring day like today, could not miss my appointment with the usual walk through bookstores on Friday, as a product that has this beautiful little book. *


THE OPEN BOAT
Stephen Crane

Translation Preface Estela Castellanos



Joseph Conrad Release Date: 24/01/2011

Editorial: Veintisieteletras
Madrid, Spain.
Collection: The imaginary eras
Paperback with flaps, 140 x 210 mm, 96 pages
ISBN: 978-84-92720-13-2
PVP: 9,50 €

-Synopsis-

On December 31, 1896 in the context of the English-American war for independence in Cuba, the tug Commodore sailed from the port of Jacksonville in the direction of Cienfuegos. They travel about thirty men with a load of five tons of weapons and ammunition for the Cuban rebels (rifles, machetes, cartridges and over a thousand kilos of dynamite).

Among the crew is the writer and journalist Stephen Crane. Is 31 and has agreed with Captain Murphy enlisted to hide their identity as a sailor, as he travels to the island to work as a reporter in what will be their first contact with the real war.

The tug makes its way through the fog, after traveling two miles from the San Juan River runs aground in the mud and damaged. Repair the hull, back to the crossing, but the next day following a leak in the boiler room, the boat stops. At dawn on January 2 leave the ship, which sank at dawn. Crane and three companions share a tiny boat, which will almost two days adrift off the coast of Florida, before they can attempt to reach shore by swimming.

this critical moment in his life, Crane transforms it into a masterful narrative that recreates the extreme case of men, one badly wounded, struggling to survive the indifference of the ocean. Essential background for the stories of Golding and García Márquez, the author uses a brush impressionist and subtle irony, and so gives us a profound reflection on the circumstances requiring the friendship among men, and the loneliness of the human being appears and unavoidable death horizon. ____________________________________________


"In the U.S., good writers are Henry James, Stephen Crane and Mark Twain."


Ernest Hemingway "The open boat outside doubt, his masterpiece. "


HG Wells' There is no better example than Stephen Crane of the fact that, on rare occasions, supernatural beings visiting the earth." Ford Madox Ford


------- -------------------------------------------------- -

* Serve this little book as a introduction-to l @ s españoles/as- other readers 'jewel' of the same author, De HIGHLY RECOMMENDED reading, which I present below:

WOUNDS IN THE RAIN Stephen
Editorial

Crane King Lear


Two years before his death, Stephen Crane traveled as a U.S. newspaper correspondent in Cuba War which pitted Spain against the United States. Result of that experience wrote Wounds in the rain, which until now has never been translated or published in English. World famous for the novel The Red Badge of Courage, where he first told with precise and direct language the horrors of war violence, Crane takes on Wounds in the rain the same issue and explores the human condition, subject to the trenches the pressure of poverty, hunger and fear. The agility of his dialogues, his ability to create believable characters and close the reader, the power of literary imagery and irony offer an amazing view of the war in Cuba for their crudeness and modernity. This story, set landscapes such as the bay of Havana, Guantanamo or the hill of San Juan, describes the daily life of soldiers and journalists, unable to really understand why they face death. __________________________________________________


be good is the only way to be happy.
Being educated is the only way dfe be free. José Martí



_________________________________________ _________________________________________


Tuesday, February 22, 2011

What Do You Want From A Jet Tender

ORLANDO ZAPATA VIVE! CHICO & RITA-

YOUR unforgettable memories FOREVER BE BETWEEN U.S.. Orlando Zapata Tamayo left us a seed ... to us to germinate.

_____________________________________________

be good is the only way to be happy.
Being educated is the only way to be free. José Martí



__________________________________________ __________________________________________


Friday, February 18, 2011

Can You Wash Adidas Wrestling Shoes

Collector's Edition-

@ s Dear readers and impassioned @ s of good Cuban music: This week has been crazy! ... And not only literary, but musical and cinematigráfica. This month of February-the day 25 - was released in Spain at last! this wonderful film with some lovely cartoons and an original soundtrack Music is pure emotion.
not miss it! Tod @ s to the movies!

the moment and while I wait for the premiere, I've got this great little gem literature and music. It
good best!


CHICO & RITA
eBook-
Includes Limited Edition DVD: The making of the film
+ Banda Sonora CD with
Origilal
Calle 54 Records / Sony Music
Madrid, Spain. 2011


"You have to be a specialist in the history of Cuban music and American jazz to enjoy this movie. But if you know the period and time, as you find some gifts added, "says Fernando Trueba Chico & Rita, animation film directed by Javier Mariscal and with Wandering Tone, written by Ignacio Martinez Trueba and Ram and the music of Bebo Valdés as exceptional soundtrack that runs through the film in its entirety .
See the movie and listen to the soundtrack as a gift in itself. Classify them as exceptional may be easy but not free, because rarely have coincided so many good opinions before a premiere.

Chico & Rita is an animated film that tells a bolero rhythm passionate love story between a beautiful and sultry singer and a talented pianist who encounters and in Havana and New York in the 40 and 50.
first thing that catches the attention of Chico & Rita is the incredibly precise coordination between images and music. When the pianist Bebo Mariscal drawn by pressing the key of C, C sounds. And so forth. Voice, bass, percussion, saxophone ... A wonderful lace Chico & Rita making a musical of enormous height and rigor. A festival of bolero, Latin jazz, mambo and delicacy that offers between 30 tracks, the song Lily with the voice of Estrella Morente. ----------------------------------------


The album with the soundtrack Chico & Rita is published in two formats:

1) CD digipack with 30 topics and Marshal design.

2) limited collectors edition: exclusive 88-page book with illustrations by Marshall, plus a CD with the soundtrack and a DVD with a making of the film and music. _________________________________________________


be good is the only way to be happy.
Being educated is the only way to be free. José Martí



__________________________________________ __________________________________________


Teacher Jokes Parent Conference

night to dream you hope, revolution. Montaigne

@ s Dear readers and lovers of Cuban Culture: This weekend I was lucky! I meet two good friends-of Cuba and the books, which owe this happy discovery literature, because fortunately I just draw with the reissue of a book by my much desired. Here is
bibliographical reference. I enjoy it as I do, you know ... Stop by and read!

waiting for nightfall to dream with
REVOLUTION Nivaria Tejera

Editorial El Olivo Azul
Córdoba, Spain. Canary Islands Government

Issue 1, February 2011


Nivaria Tejera born in Cienfuegos, Cuba. Shortly after his family moved to the Canaries just before the outbreak of the Civil War. His father was imprisoned for the Franco regime, experience tells The ravine (The Blue Olive, 2010) - and return to Havana. Nivaria fleeing Batista's Cuba to Paris, but will return to support Castro. Disillusioned, he was exiled to the Île-de-France.


If Zola gave j'acusse, Nivaria say 'me ne ford': against hypocrisy and injustice, to leave. In this text genre that fuses memory and sentimental exile and witness to poetry. A resounding and uncompromising book that challenges death, indifference and oblivion. Nivaria Tejera's voice is raised against the Cuban regime's killing power and naked, sometimes lyrical and sometimes in parodic tone, but always against the silence that has tried to impose dictatorships.


"A book of poetry and life, two things that are an ally but few know it."


Julio Cortázar "A novel is not, a text, only the burrowing weapon writing and guts undermines the foundations of all dictatorships. "
Antonio Alvarez de la Rosa
________________________________________________________

be good is the only way to be happy.
Being educated is the only way to be free. José Martí



__________________________________________ __________________________________________


Thursday, February 17, 2011

Descargar Ikusa Otome Suvia Valkyrie

looks A follower of Havana

@ s Dear readers and visitors of this humble library: Today was one of those days when I gave my usual back in search of my beloved 'Cuban books' ... and on top was the intuition that it would not find anything, also was a day dreary, rainy, cold, "but to my surprise I found one of those books that had no hope, so much time looking.
Here I show the citation, to share with you. This happy discovery.

a follower of Montaigne MIRA LA HABANA. DEEP FOODS
. Antonio José Ponte



Mardid Editorial Verbum, Spain. 2001
80 pages

Here is complete information on the back cover:

Two splendid works together, by way of communicating vessels in one book, the first thing the young Cuban writer Antonio José Ponte published in Spain.
carnival for its innovative fusion of narrative, poetry and essays, for his ingenious blend of autobiography and fables, and its striking baroque writing, richly imaginative and highly literary maturity, which connects with the great tradition of modern Cuban and Latin American literature, Put this seductive book is not only one of the "highlights" of the English publishing scene, but also the discovery for the reader and the critic of one of the key authors and Latin American literature of the century.

"A follower of Montaigne looks Havana": Founder, surveyor and passerby, asked the city of origin, imagine your own home: "It all started with me in Matanzas, in my birth. Then started again when I got to Havana ".
Imagine the city turned into books, houses, people, streets, places, lost, fable of a single afternoon in Granada, the fictional town of Lezama, the city interview, written in the imagination and the dream of memory and books Travel: Havana, a metaphor of the world, nostalgia of Havana, convered in lines, faces, eyes.

Before an empty table in Havana, covered by a cloth drawn food, a writer with white stomach invokes the spirit of "deep Meals" and exercise your patience figuring on a sheet where they come from the tasty meals : Pineapple Charles V, the old childhood meals rejected the false etomología of apricots, dinners Cuban timber of the Marquise de Mont-Roig, gastronomic cases Apollinaire and Saint Petersburg, the apocryphal story of the flesh , the illusory alternative meals and menus imaginary, the potions of surprising names (Champagne hammock, get the Blumer, escupelejos, wait on the floor, Pyong Yang, tiger bone) marinated metaphysical recipes, chili and the Pru, these Cuban culinary miracles. _________________________________________


be good is the only way to be happy.
Being educated is the only way to be free. José Martí



___________________________________________ __________________________________________


Friday, February 11, 2011

How Many Months Do New Mom Will Use A Girdle

THE VOICES OF THE DEVIL CIEN

scope: ___________________
"THE HUNDRED VOICES OF DEVIL AMONG U.S. NOW! @ S

Dear readers: In my usual search for 'good books Cubans' just to take the biggest surprise of the week "hundred voices of the devil" Vivanco Ana Cabrera is now in bookstores!
At this very moment I have the book in my hands and I will read it passionately! (As you progress in your reading, come back and tell them ...)
the moment I return to transcribe here the synopsis that came in the back of the book:

"He was a man without end, one of those who kill you like in bed, they leave without saying goodbye and leave a dead but grateful for life. "

Loves Jacinto unstoppable and with loads of Caribbean Villa sow poison a trail of forbidden passions, of which a young man born whose destination is inevitably marked by tragedy. In a town where the air smells of orchids, the lies get twisted like vines and love grows in the rose thorns, one day the temptation and guilt threaten to take their toll on its inhabitants.

A sweeping and sensual story that involves the reader in a whirlwind of passions and secrets, and Vivanco Ana Cabrera with a magnificent voice narrates itself as audacious as captivating. __________________________ __________________________




Thursday, February 10, 2011

Brush Attachment For Hair Dryer

José Martí in the United States and Europe


if Today! I have become satisfied, very satisfied with my 'search and arrest of Cuban books' I got a copy as it is for me a 'little literary gem. " is nothing more and nothing less than a compendium of writings from 'The Best of the Cubans' Here we have come in and read! The teacher still has many lessons to offer us ... JOSE MARTI


IN THE UNITED STATES AND EUROPE
Selection and foreword by Carlos Jimenez Arribas

Artemis Editions
Tenerife, Canary Islands, Spain
Collection / Classical, 15
Gender: Essays

1st Edition ISBN: 978-84 - 96374-91-1
Binding Paperback with flaps and guards
Format: 14 x 21.3 cm
New

224 pages € 17.95

-Synopsis-

Glancing around, looking for that rare Martí's life and work unit, warrior and poet, action and contemplation. And despite coming in looking to the other end of the world, not where to find it. Beyond excessive contemplation of Wilde and his effeminate pose, also beyond the action of Byron, devoted to a cause that exceeded and could only be by sheer ego combustion engine beyond the timid Pushkin, who set in motion the forces of the tribe but fell a victim to their sensitivity sick before they materialize, beyond all that, Martí looks around and only sees himself as the true poet, architect of a revolution and she died. Carlos Jimenez Arribas



________________________ ________________________


Wednesday, February 9, 2011

What Are The New Facebook Proxies

Under the Sign of Che

and tireless in my continuous journey in search of 'Cuban books' of my interest, and lack of news I found this issue, we do not know if I want to read now ... but in the end, you always learn something and have to read everything! UNDER THE SIGN OF CHE
Romeo King Editorial Biblios


Buenos Aires, Argentina
Issue 1: 2010 233 pages


-Detail-

After a century of struggle for socialism, both in the field of ideas as the concrete action, in what place it is today Latin America's left? What are the most important experiences gathered along this long road and what lessons can be learned for the future? Romeo Rey Swiss journalist raises these questions and tries to give answers based on the one hand, in his remarks as a newspaper correspondent in the region and, on the other hand, the study of the views of historians, sociologists and economists experts matter. From

reflections of several precursors of Latin American socialism and the power of the legendary Ernesto "Che" Guevara, the author seeks to identify the lines of major revolutionary action. Try to avoid summary trials and also refrain from propaganda for certain sectors of the left. Enhances constructive aspects in the fight for a more equitable and just crumbling, while dire trends, strategic mistakes and repeated failures of the revolutionaries. In the center of this history of the Latin American left is, of course, the Cuban Revolution, whose successes and failures are analyzed, valued and discussed.

With the same desire to make balanced, investigates the key aspects of the various guerrilla attempts shook Central and South America. Do not overlook either the political developments in Chile during the Popular Unity, the Nicaragua of the Sandinistas and the shift to the left in Venezuela, Bolivia and other countries.


Thursday, February 3, 2011

Seal Binoculars Digital Camera

MEN FACES WITHOUT

FACES OF "MEN WITHOUT FACES" This is a book with a very special home: it was written in an isolation cell in Kilo 8 prison in Camagüey

Abel Germain, Valencia in which Jorge Luis Borges received from a faceless man personal memory of Shakespeare. Then I wanted to allude to the autonomy which the novelist (taking off his face: that is, their beliefs, their way of being the me that is) should give his creatures. Today I return to that image, but I do it in a different sense, if not opposite. That is, not as metaphor, it is also-but as an objective description of a circumstance.

And I refer, not a novel, as on that occasion, but a collection of poems. In other words, a work which, by their gender, should have a different relationship with its author. It is faceless man, Ricardo Gonzalez Alfonso, published by Sepha, Spain, in 2005. A book also has a "biography" very special.

was written in an underground solitary confinement cell in Kilo 8 prison in the Cuban province of Camaguey, where the author had been confined for their activities in independent journalism, and where they could see the co-sentence. These were just voices, words, sounds through the walls. Were "like men without faces." He himself was.

have to imagine as the poet and journalist in his cell walled, bent, as he wrote in secret with almost unintelligible handwriting. You have to imagine how made to hide the "little bullets" of paper in their shoes when they had to leave his cell to the requisition in which the guards were looking for prohibited items (including texts such as this). You have to imagine how carefully opened to avoid damage to the closure, a pack of cigarettes, and how the bite emptied and filled with poems each cigarette. And then you have to figure out how to beat the pack with the same thoroughness. You have to imagine it in this task of miniaturization and risk to save the verses of the prison. And then you have to imagine his wife, Alida Viso in spaced visits, fragile, probably in fear, when extracted from the prison that valuable pack. Then you have to imagine the almost cryptographic deciphering handwriting; happening in each poem clean, ordered the manuscript. And then you have to imagine their efforts to circumvent controls another prison (the big prison) that is Cuba, out of the country.

have to imagine all this to understand how confused the biographies of these verses and the people who fought for them. Is yes, what usually happens. But in this case these biographies (the poet, his wife and the poetry book) go beyond the meaning of its own to become an allegory represent the peaceful struggle of the Cuban people for freedom. And all in opposition to Ortega y Gasset [1], who advised to separate the "intellectual life" of what he called living life. Because in the end, and this is a good example-it is a whole.

But let the book. Is a collection of poems with a prologue and epilogue. But the prologue is not a prologue to use. Its author is Esteban Beltran, director of the English section of Amnesty International, and is a plea for the release of the poet and the other Cuban prisoners of conscience. Nor is the epilogue. He wrote his wife, Alida Viso and is a short report on the health status of the poet, then very sick.

Thus both (the prologue and epilogue) talk about the situation of the author, not his poems. And understood. In such circumstances it is normal especially dramatic poet amount at risk over his book. I hope that these assessments will help to remedy-albeit six years late, "the understandable lack. Men without faces

consists of forty-three poems, and each works as a chapter or a window that opens at different times of the prison. Attended, among other events, to his arrest; entered his cell, share their isolation; see and judge their jailers, attended the searches of his cell, and we share his solitude; heard how an inmate suffers a beating, suffered their nights prisoner; us hurts the light seen by three months perennial burned his eyes, suffered one of his dejection, we witness the sad intimacy of the inmate; enjoyed their modest joys we share their views, and feel a chill the night he shared with the young they shot at dawn.

is, therefore, like any good book of poems, a kind of diary that refers (and document) what, in reaction to the environment, goes on inside the subject he writes. Reality is transcended, previously filtered through the senses and feelings. The reality turned into words: the human act par excellence. Because whenever we talk about poetry, we must speak forcefully, and in the first place language. How-to how much hit or miss-the poet has chosen and arranged words and pictures what has been achieved for the poetic discourse and the world that motivated him to acquire meaning in the reader's consciousness.

And that (give those keys and arrange with them that speech) Ricardo Gonzalez has done very well.

There truly memorable verses to prove it. They supported the move to set up its disturbing final return / to the edge of fear / feel / letter to blood / whole prison. / Doubt / of my questions / and love. ("After the Apocalypse", ps. 67-68.) The question that coexists with the belief distressingly and activates the essential knowledge work.

Other examples: They ordered

. / I was assigned a number / decoding / in that equation / which one is none (p. 19).

And under a concrete sky / lit / by a star / glass / I sing (p. 21).

Solos /. Imagine the look / the act of another. / As blind from staring. / As faceless men (p. 22).

penalties Clock / reeled time. / Died when / breathing / light. / We got the cell (p. 28).

He took an eye / and someone stopped / you start the other. / "You see now alone half of their tragedy? (P.52)

born orphan / words / the prison. / Born orphan and / murderers. / Oh the years shadows / the years jargons / Looms / without peace / magic / tremendous / language (p.62).

There an Arab proverb that says it is impossible for man to jump out of his shadow. But always the case? In reading these poems we see not. At least not entirely. Ricardo González Alfonso rebelled against this fate. Search for yourself in this, its double insulation (the prison and of itself) and tried not to lose their own face, even as far as possible tried to rescue the other prisoners. And he did.

[1] ideas and beliefs, José Ortega y Gasset, 1940.


-----------------------------------------------

---- German Abel is a writer, poet and journalist in Cuba. Has published the day after my children (Editorial Letras Cubanas) Rucbick Cube (Editorial Union) and Trivia (Ediciones Outside the Walls). Worked on the independent news agency "Cuba Press" since its founding as an editor and writer, working, among others, Radio Martí, Cuba Free Press, Cubanet and HC Journal of Hispanic-Cuban Foundation. Now in exile in Spain. ____________________________


be good is the only way to be happy.
Being educated is the only way to be free. José Martí



__________________________________________ __________________________________________


Where Do You Buy Juniper Berries

UNEAC DISCLAIMERS IN!





WRITER FRANCIS SANCHEZ DISCLAIMER UNEAC Ciego de Avila DDC
29/01/2011

His differences with the organization official refer to the 'War of the emails' in 2007. Recently worked with DDC.

The poet, novelist, essayist and editor Francis Sanchez resigned from the National Union of Writers and Artists of Cuba (UNEAC) for reasons not explained, according to a note posted on his blog.

"I do not care to detour to particular facts and depressing, with the last drops and perhaps children that could have overwhelmed my disappointment," wrote Sanchez. Born in

Ceballos (Ciego de Avila, 1970), published his first poems at age fourteen.

His poems tied to the mast Revelations (1996) was shortlisted for the National Critics Award. He founded the Catholic Press Union of Cuba in 1996. His books of poetry, fiction and essays have been published in Cuba, Mexico and Spain. He is considered one of the leading voices of the poetic generation that emerged in Cuba in the late twentieth century.

His differences with the UNEAC from afar.

During the exchange of emails, regarding the television appearance of Luis Pavón Tamayo and other political commissars of culture in the seventies (2007), Sanchez was one of the opponents of the official response, the Secretariat of the Declaration UNEAC - and held an exchange of critical especially with the then vice president of the Cuban Book Institute, Fernando Jacomino.

Francis Sanchez had to endure him to take it on face the fees received for their publications.

To which Sanchez replied one of the emails crossed: "I intend not to embitter me your assumption that I live in a country that you or someone has borrowed. I attend events, publishes books, jurors do, work and then collect what they owe me, I walk the streets, breathe and speak and write because ... [...] While I am still living, I repeat, I will not be bitter about the possibility that any official can face tomorrow echármelo at a time it should. "

Recently, Sanchez worked in the JOURNAL OF CUBA dossier dedicated to the centennial of Lezama Lima.

UNEAC's resignation means the ostracism of the writer, because their books are published in the Island may not participate in events and have difficulty traveling abroad. _____________________


WRITER Felix Sanchez also renounce the DDC

UNEAC

Madrid 02/03/2011


"I think it is dishonest to continue to belong, advantages of any kind, an organization with which one disagrees and more than one main reason, "he says.

The writer Félix Sánchez on Wednesday issued a letter of resignation to the Union of Writers and Artists of Cuba (UNEAC), issued on 4 November 2010 at the official representation of that entity in Ciego de Avila province in which reside.

"There has been this unexpected decision, nor part of a grievance especially for an event, "says Felix Sanchez in his letter, released through the blog of writer Francis Sanchez, who also recently resigned from the UNEAC.

" is the result of a long meditation on the role of UNEAC in our society, its functioning, its correspondence with what I consider to be an organization of designers to the forefront by his way of creating and thinking, for their commitment at any cost to truth, and traditional values \u200b\u200bof our identity grown by an intelligentsia that we were proud to fight with his attitude to everything that did not have the people at the center of their concerns, which did not recognize in him the highest authority, the measure of the legitimacy of any dream, purpose and result, "said Felix Sanchez.

" In recent years I have waited to see the UNEAC assuming that civic responsibility, cultural and political. But I spent the waiting time, and I think it is dishonest to continue to belong, advantages of any kind, an organization with which one disagrees and more than one main reason, "he adds." In a genuinely socialist Cuba! " he concludes.

Felix Sanchez (Ciego de Avila, 1955) won the 2010 Latin American Short Story Award Julio Cortázar. In 2005, the Hermanos Saiz Association awarded Iriondo Vincent Award for the Work of Life.

has received, among other honors, the Medal for the thirtieth anniversary of the FAR (1986), and Exemplary Service to the FAR (2001), the Provincial of the Critics Award (1993 and 2005), the Child Status Illustrious Ciego de Avila (2004), and the Distinction of the Wraith Ciego UNEAC the best operator (2005).

has also won prizes in numerous stories and novels in Cuban literary competitions. His decision to waive the UNEAC likely mean that the regime's authorities will marginalize the cultural life of the island

In 2007, during the exchange of emails, by the way television appearance of Luis Pavón Tamayo and other political commissars of culture in the seventies, Felix Sanchez was one of the intellectuals who responded to the statement of Secretary of UNEAC trying to reduce the debate to the "revolutionary" and accused intellectuals from exile to "work for the enemy", manipulate and "take advantage" of the controversy.

"What have we come?" Who said that the debate must be between revolutionaries? "Those who are not, and do not necessarily have to be 'counter-jail them' are excluded," asked the writer. "What legal document authorizing such discrimination 'ideological', the deprivation of a citizen's right to argue about what is happening in your country? ".

His remarks addressed them in a message to the members of the Secretariat of the UNEAC. He had no answer.

Also during the controversy over the so-called "gray period" Felix Sanchez condemned the pressure that the vice president of the Cuban Book Institute, Fernando Jacomino, wanted to carry on the poet, novelist, essayist and editor Francis Sanchez, and empathized with it.

"There , terrible paradox, a 'low culture' deciding such a high culture of this country, "he said about it.

Francis Sanchez announced its renunciation of UNEAC in late January, without specifying the reasons. ___________________________________________________ ___________________________________________________




Tuesday, February 1, 2011

Lots Of Clear Liquid Before Period?

THE LOST BOOK OF ORIGINS




@ s
Dear readers, this humble library visitors and lovers of Cuban Culture: Yet in this day have not returned empty handed, having obtained a copy of which I had heard years ago and I could find to date. is not new in itself, but looks very ineresante for l @ s @ s studies of our lyrics (which I modestly story.) Come and dig into our cultural roots ... In literature it is always good to get back to the 'origins':
THE LOST BOOK OF ORIGINS
Antonio José Ponte
Editorial

Renaissance Collection: Illuminations
Sevilla, Spain.

Edition 2004 188 pages.


[Extract from foreword]

Twenty years ago, José Lezama Lima and Virgilio Piñera names were almost unknown in Cuba, his works were little read and copies of his books is obtained only thanks to some friends in bookstores. The two had died reciemente. Fina García Marruz and Eliseo Diego were well appreciated as poets, maybe even too much appreciated. Cintio Vitier was authority in studies Marti, Octavio Smith was only by dint of discretion (or grayness) and Jose Rodriguez Feo, having directed and paid for the magazines' Origins' and 'Cyclone', was a post debibliotecario in the Writers' Union and Artists of Cuba. From the origins

gone into exile, little was known. Visit at home to Gaston Baquero was to become, a few years later, in a gesture liable for who pass through Madrid. Lorenzo García Vega fate suffered more erratic and, judging by his published diaries, moved from London to New York, New York to Caracas and Caracas to Miami. Company was very difficult to locate because the rest of the sources he had sworn eternal enmity because of a book that no one in Havana seemed to have and not sticking out the back in any used bookstore: "The years of Origins." And finally, for our readers had little curious what would have been de Justo Rodriguez Santos or Angel Gaztelu. Stumbling

the group's work "Origins" was not as inevitable as it is done now. The two largest writers this group suffered censorship, censored encotraba also another no origins and the cultural administration imposed its literary figures. There was the second son and the false, the literature was total obedience to the policy. (Nicolás Guillén and Alejo Carpentier, doubtless leading writers and activists both Communists enjoyed a pay today for the lack of muchísiimos readers).

Dar with 'Origins' was then recover the real literature, as a reader exercise freedom, spitting on the edicts intended to regulate the arts. Then these edicts trerían the surprising news that the work of the pursued, the work of Lezama Lima and Piñera, and the whole group 'Origins' belonged to the best of our heritage ...

.../...

And here the extract from this preface, which should not be extended in its transcription me because I lack permission. (Apologize for the editors and the author for this boldness, the product of my passion, admiration I feel for his work, and understand how good intention to publish his book.)

------------------------------------------------ ----

be good is the only way to be happy.
Being educated is the only way to be free. José Martí


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Emerio Medina, Premio Casa de las Americas.





The Cuban wins Emerio Medina Casa de las Americas Travel
story The author "discusses topics ranging from content to a gruesome drama that never goes beyond the aesthetic of restraint and precision," he said. Mexican writer Gabriel Santander Bello won the award for the work novel Revenge of the maids, "a narrative excessive, exuberant and joyful exempted from the rules of right, containment or proportions, as assessed by jury.
In testimony, His way, the Argentine Carlos E. Bishoff, was awarded "in view of the depth and freshness that addresses the issue of repression in their country during the military dictatorships of the second half of the twentieth century."

The jury also highlighted "the rich psychological and literary development of the language" of the job.

The novel Poeira: demons and curses, Nelson de Oliveira of Brazil, won the award in the category for the literature of his country by "the effectiveness of its structure, which proposes a dialogue between the discourse of the story."

The jury said that the author uses "dreamlike passages and levels produced from radicals with language games" and considered that the duality of discourse which manages the author leads the book to "a position renewing" which purports to show " the new way of fiction trying to cope with a world irreverent and chaotic ".

The novel mentions were in the Colombian Rodrigo Parra Sandoval, Pharaoh Angola, and Cuban Manso Geovannys sleepy Sender for the children of the abyss.

In the story, were awarded to Argentine narrators Virginia Gallardo, Norberto Suarez and Patricia Espinosa, the texts the future, Small miracles and provide with strangers.

Uruguayan writer Eduardo Galeano won the honorary prize of José María Arguedas narrative for his work Espejo. An almost universal history, the poetry of José Lezama Lima was for the dancers of the time. Anthology of poetry, Kamau Brathwaite, of Barbados, the test Ezequiel Martínez Estrada won the Amazon. The river has voices, the Chilean Ana Pizarro.

The genre of artistic and literary essay was declared "wilderness" because the jury felt that although trials submitted to the contest appreciable value of correct spelling and overlook issues of interest in this area, none of them reaches the required level to be awarded the prize.

52 edition of La Casa de las Americas Prize was inaugurated last 17 by Vice President of Bolivia, Alvaro Garcia Linera, and the jury met intellectuals and writers like the Argentine Martín Kohan, English Eduardo Becerra, U.S. Margaret Randall and Colombian Roberto Burgos Flor Romero.