In the complex process of dramatic writing, each party will need to raise active and constantly reconsider what to write, and why and what type theater. Is an important point, because as it is achieved particularize further, more will be the safety and soundness of the task.
The playwriting (extending the concept also to all artistic events) becomes a subjective expression of the world, always social - in their genesis, in its objectives, in its reception - even if done by an artist "individual" , objectified in a work, to meet diverse social needs, emotional, emotional, volitional, attitudinal and cognitive. The artistic creations express subjective modes of appropriation of that world. Remember: the artistic facts are social products, but are created by a single individual, their production is social.
At the same time, each subject - a pattern emerging interpersonal relations that constitute the horizon of his experience - he writes from his own needs, the link to other experiences or knowledge and confrontation and integration of multiple perspectives enriches each and every one of the participants. Sometimes you know the depth of what has happened to us, and we minimize our ability or willingness to write.
At the same time, each subject - a pattern emerging interpersonal relations that constitute the horizon of his experience - he writes from his own needs, the link to other experiences or knowledge and confrontation and integration of multiple perspectives enriches each and every one of the participants. Sometimes you know the depth of what has happened to us, and we minimize our ability or willingness to write.
Gustavo Cano. Dictation Module 2 - April 2008
(no audio)
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